DATELINE: Sitting in the theater listening to a lady talk about planets and moons in our solar system
Talk felt pretty good.
First, I was blown away by Juan Enriquez. Really cool slides. Really cool delivery. Sort of Kelsey Grammar as this very cool academic. I'm thinking he's Brazilian, based on his comments, and I was really intrigued by what he noted about Brazil (only country in history to have more "stars"/states added since its birth--other than America).
Coolest chart showed how the number of stars in U.S. flag has grown very steadily across our history and this factoid: no U.S. president (serving or former) has ever died who hasn't seen the number of stars in the U.S. flag increase from the number it was when he was born. That truth will not be broken until a president born after 1959 (Hawaii) serves and then passes away. My guess? It'll never happen.
Overall, a stunning, mind-opening piece. His "Untied States of America" is the book I and all of us should read. As he told me after the talk, that's the one that most captures his presentation today.
I had 32 slides teed up when they told me prior I had 20 minutes (20 "white" or substantive slides and 12 "black" or transition slides).
That was a super-packed slide that I knew I'd never get done in 20, but here is what I remember from last time: the other two speakers went way over 20, I did not, and I regretted. There's no money in this gig, just exposure (amazingly, I have made a number of cool biz contacts), so I figured that--this time--I'd just do what I want.
So when Andrew Zolli said we'd now get 30, I added back in the 5 white slides I was really regretting not having in the piece.
As it was, Juan hit his 30-minute mark perfectly, which made my transgression more forgivable (save to potential questioners). I started in and when I looked up, I was at 15 minutes on the countdown and still working the DOEE slides. So you may have noticed I picked up the pace quite a bit then, getting through the Middle East stuff as the clock wound down to zero. That's when I asked Zolli onstage if I could go over, he said yes, and thus I got through the rest in probably about 40 minutes total (but I could be wrong--maybe 45).
On the questions, I was amazed: 1) not to see infamous Arthur on his mark and 2) he didn't ask a question!
I thought the questions went fine. I really did have to go to the head pretty badly at that point.
The fun part of the day (so far and counting): I see Brian Eno from the speakers' perch just before the session starts, so I jump down off the stage, run to the back of the theater and intro myself to him, getting a handshake.
After the session, he's in the green room, so I chat him up. We start with "Remain in Light": I ask if the entropy thing (the songs get slower from the beginning of side A through the end of side B) was purposeful or not. He says he wasn't aware of that perception (which shows he doesn't read the critics--fine by me), but says the real goal he had in producing the album was to group the optimistic stuff up front and the pessimistic stuff in the back. He said that type of grouping and shaping really doesn't happen much anymore on albums, because CDs have no A-v.-B break-up and don't impose the same discipline of size constraints. I countered that I felt the same things were happening with blogs v. books leading to blogs.
Then we traded bits on how producing an album is like editing a book, so I described Mark Warren's "Eno" to my "David Byrne" in my books.
Eno worked on "More Songs About Food and Buildings" (1978) and "Fear of Music" (79, I think). I told him that the first Heads album struck me like the early Beatles compilation albums, and that "More Songs" was sort of their "Revolver"--i.e., coherent. He liked that comparison.
I asked him about the rumors that his time with the Heads became increasingly contentious as far as everyone else was concerned and he said yes, there was this growing sense among the other three that he was sort of stealing Byrne from the rest of the group. I said he was sort of the Heads' Yoko Ono, and he laughed at that one, saying Eno and Ono were awfully close, BTW!
But we agreed that the Heads never could have evolved into "Speaking in Tongues" (their "Sgt. Pepper") if Eno hadn't been there on albums 2-4 ("Tongues" was 5th), and that is was a rare and cool thing for a 4-person group to evolve into the 8-person, multicultural band the Heads ended up being.
Then the next session began and Eno excused himself. I asked if he wanted to do lunch, he said yes, and then I exchanged my lunch coupon for the same restaurant (Zoot's) where Eno's eating.
Then I called Jen and had her move my radio appearance on this Pittsburgh student station to after 1pm, so I could have lunch with Brian Eno!
If my little brother Ted knew this, he would be aflame with envy!